feeling

 
 

feeling

fUnking

 

Funk as Philosophy

As the fugitive in the black south surrenders their boundaries between the physical and spiritual realms [rule 1 of absconding in the black south], funk acts as a locomotive force, driving the fugitive to the hidden and unmappable.


funk allows us to understand black [southern] existence, creative production, and the imaginary outside of what it means to be human and alive in the [black south, a colony of the u.s.] west.[1]

Jitterbugging in a Juke Joint on Saturday Afternoon (Clarksdale, MS) by Marion Post Wolcott, 1939.

Jitterbugging in a Juke Joint on Saturday Afternoon (Clarksdale, MS) by Marion Post Wolcott, 1939.

Southern Route 33, Tamara Reynolds

Southern Route 33, Tamara Reynolds

the place of funk

the jook (juke) joint, the "pleasure house" is the most important place in America [according to Zora Neale Hurston's theorization]. its "shoddy, smelly confines" birth "the true Negro style" jooking. to jook is to gain sensation. it is to gain pleasure. [2]


"funk exists as a philosphohy that usurps the divide between eros (life) and thanatos (death) since it is sustained by otherly human and nonhuman bleiefs in the supernatural, afterlife, and reanimation." -- L.H. Stallings, Funk the Erotic


Jitterbugging in a juke joint on Saturday evening outside Clarksdale, MS November 1939 (Marion Post Wolcott, Library of Congress, Washington D.C. [LC-USF34- 052594-D])

Jitterbugging in a juke joint on Saturday evening outside Clarksdale, MS November 1939 (Marion Post Wolcott, Library of Congress, Washington D.C. [LC-USF34- 052594-D])

NOTE to Fugitive

the escape to/within/throughout the black south must be filled with sensation. find the pleasure houses that will sustain you on your long, perhaps never-ending journey.


notes:

[1] Adapted from L.H. Stallings, Funk the Erotic: Transaesthetics and Black Sexual Cultures, 2.

[2] Zora Neale Hurston, “Characteristics of negro expression,” 66-67